Inspired by my summer class on Uncials, I decided to apply the same approach of studying manuscripts carefully, and coming up with a hand that is grounded in history, and yet not archaic, to learning some insular majuscule. The Book
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Insular adventures
Roman capitals with John Stevens
In October, I went to Cheerio for the first time to take a workshop with John Stevens on Roman capitals. First of all, I would like to point out that Camp Cheerio is in a beautiful place, and the view
Uncials with Ewan Clayton
The biggest lesson I took away from this class is that there is no single Uncial alphabet, but instead there are different historic variations. We explored different manuscripts and came up with a self-consistent hand, where pen angle, stroke weight
The price of anonymity
I had a very interesting and unintentional experience with trying to sell my work anonymously. It all started with the Rendez-vous Calligraphy Conference. I wanted to enter a piece in the participant exhibit, and the only requirement was to make
Flat file project
I needed a place to store my paper, so I found some used flat files online. They were operational, but a little beat-up on the outside. Given that they only cost 1/10 of what they would cost new, it
Gilding with Peter Thornton
Gilding is another one of those things that I knew nothing about. It's one thing to admire someone else's beautiful work, and another to have a deep understanding of the techniques they used to create the piece. I will have
Brush class with Carl Rohrs
There is one tool that I have always found to be particularly challenging: the brush. I became especially aware of this after taking a sing-painting workshop, and seeing how all of my letters were complete garbage. When Seattletters conference came
Trajans with Yves Leterme
I signed up for an online Trajans class with Yves, and it was great. I learned a lot, even though I did get to the most interesting (and most challenging) part of the class — brush letters. I would definitely take